Sunday, August 2, 2015

Complete Guide to Buniyar Temple

Buniyar Temple, about two miles above Rampur,  situated along the Baramula-Uri road on the bank of the Vitasta, is often described as the "best preserved" specimen of Kashmiri architecture. Although unlike most Kashmiri temples which are made of limestone, this one (beside the one at Wangat) is made of granite.

This is the story of the temple at Bhaniyar/Buniar/Bhavaniyar/Bunair/Boniar/Boniyar/Buniyar.
On way back from Uri, I decided to check the ancient structure whose roof is visible from the road. A military man walked me from the main road, past the security gate and into the military camp which now surrounds the temple. On way to the temple, the man, someone from mainlands, claimed the temple was build by 'Pandavas'. When I told him that I am ethnically Kashmiri Pandit, the man happily said that it all belongs to me. 

In 1868, when Henry Hardy Cole arrived at the temple along with photographer John Burke for his 'Archaeological Survey of India report, 'Illustrations of Ancient Buildings in Kashmir' (1869), a local Hindu Fakir who lived in the temple told him that the temple was build by 'Pandus'. 

The temple had been recently excavated on the orders of Maharaja Ranbir Singh. Before that, the temple had been claimed by mountain and the trees, which might explain why it survived vandalisation and remained untouched for a long time.

Burke's Photograph
[via British Museum]
The ruins of this temple had been earlier been noticed by Karl Alexander A. Hügel  (1835) and G.T. Vigne (1837). Hügel mistakenly described it as a well preserved Buddhist temple, while Vigne called it a Hindu ruin on the road. 

An attempt to study the temple was first made by Alexander Cunningham in November 1847. He noticed that the Pandits called the place 'Bhawaniyar'. And assumed it to be a 'Bhawani' temple. Cunningham couldn't examine the temple properly as it was half-buried under snow at the time. Using a telescope he tried to see beyond the thick foliage if the inner wall of the temple had a colonnade.

First proper detailed note of the temple came in 1865 when that summer W.G. Cowie visited the temple that had been recently excavated revealing 13 sq.ft. interior), walls supported on a basement of 4 ft.sq, a cloistered quadrangle measuring 145'x120'. The findings were giving in 'Notes on Some of the Temples of Kashmir'  (Journal of the Asiatic Society of Bengal > Volume XXXV, Issue II, 1867). He said the local Pandits told him the temple was built by one Bonadutt, hence the name. The brother of this man had built at temple at Venapora beyond Sopor. About the granite used in the temple he wrote:

"The material of which the buildings are constructed, is a pale, coarse granite, of which there seems to be no quarry within reach on the left bank of the Jhelum. This circumstance is remarkable, considering the enormous size and weight of some of the stones employed. Mr. Drew, a geologist in the service of H, H. the Maharajah, thinks that the blocks of granite must have been carried down some of the valleys on the opposite side into the river bed, whence they were brought for the construction of the temple."

He also suggest that central temple was probably surrounded by water (just like Cunningham had suggested for Martand) as he found two old wells also near the temple. He also noticed that near upper base of the temple, is the spout of a channel which carried off the washings of the image. He wrote it looked like a snake or some similar animal.

Sunday, July 19, 2015

In Light of Mohra

About 46 miles down Jhelum river from Srinagar, just past Baramulla town, the topography changes drastically, hence the nature of river also changes. The mountains become edgier and the river becomes rougher. The valley of Kashmir falls rapidly, it slopes down. At places, water desperately seeks place to escape. At places, it physically cuts through them using routes violently carved out by it over ages. The beauty of all this seems a cold naked fact to the eye. The Jhelum river within 100 miles has an average fall of 50 feet per miles, with a minimum flow of around 3,000 cubic feet per minute. Ancient eyes of Kashmiris must have witnessed these cold facts and given rise to the story of Varah and the draining of Satisar, giving rise to the mythical origins of the valley.

Just 46 miles down Jhelum, the influence of Kashmiri culture drops, Kashmiri ethnicity gets overtaken by Gojri and language changes to Urdu. It seems a place so unlike Srinagar. The river looks unfamiliar.

Just past the ancient pilgrimage spot of Buniyar, it is here at Rampore in Uri area of Baramulla (the ancient Varaha Moh), a human endeavour about hundred years ago shaped the present semblance of Kashmir. A river was tamed to produce the life force of modern human life: electricity.

After the devastating flood of 1903, in 1904, skills of Canada born Major Alain de Lotbinière of Royal Engineers, after having successfully harnessed Cauvery Falls in Madras for electricity to be used for Kolar gold-fields in Mysore, were sought by Maharaja of Kashmir Pratab Singh for taming Jhelum river.

The idea was to produce electricity using the wild power of the river, and then use that electricity to dredge the river, to control it further.

Lotbinière came up with an extensive plan that made brilliant use of local topology and resources to produce one of the great marvels of engineering for its time. 

The details of the plan are given by Francis Younghusband, Resident of Kashmir for three years starting 1906,  in his book 'Kashmir' (1911):

[Lotbinière] therefore came to the work in Kashmir in September 1904 fully primed with the knowledge of all the latest developments of electrical science, and at once conceived the idea of harnessing, not any of the minor rivers of Kashmir, but the river Jhelum itself, and selected a spot a few miles above Rampur where he might entrap some of the water, lead it along the mountain-side at practically a uniform level, till he could drop it through pipes on to turbines—very much in the same manner as a mill-stream is led along and then dropped on to a water-wheel—and so by setting in motion various machines generate electrical energy.
The theory of the electric installation is then very simple. The valley falls rapidly. At the part selected it falls about 400 feet in 6½ miles. Some of the water is taken out and kept at about the same level so that at the end of the 6½ miles it has a fall of 401 feet. Consequently when it is dropped those 400 feet it falls with immense force and velocity. By most ingenious machinery this force is turned into electrical energy, and then transmitted by wires to wherever wanted—it is hoped even to the plains of the Punjab, to Rawal Pindi at least.
Water for the present project has been taken out a couple of miles above Rampur at a most charming spot, where the river comes foaming down over innumerable boulders, and the banks are overshadowed by the same graceful deodar trees which clothe the mountain-sides. Here very strong and solid masonry headworks and regulating sluices have been built under the lee of some friendly boulders; and elaborate precautions have been taken to protect these headworks from the impact of the thousands of logs which are annually floated down the river by the Forest Department to be caught and sold in the plains below.
From these headworks what is called a flume has been constructed in which the water will run along the mountain-side to the forebay or tank immediately above the generating station. This flume, answering to the channel which conducts the water to a flour-mill, is to the eye absolutely level, but it has in reality the very small drop of 1·05 feet in 1000 feet—just sufficient to make the water run easily along it. Its length is about 6½ miles; and the main difficulty in the whole project was found in constructing it. A road or even a railway when it comes to an obstacle can very likely, by a change in the gradient, rise over it or under it. But this flume had to go straight at any obstacle in its way, for it obviously could not rise, and if it were lowered it could not rise again, and so much horse-power would have been lost at the far end. The flume, in fact, once it was started off had to take things as it found them and make the best of them. The first obstacle was a great spur of boulder conglomerate. This had to be cut down into to a depth of forty feet. An arched masonry passage had then to be made, and the whole covered over again. Five torrents were negotiated by passing them clean over the flume. Over six other torrents the flume—here made of wood—had to be carried on strong iron bridges. And six tunnels were made through projecting rocky spurs. Only one-third of the 6½ miles' length of flume could be built of masonry, and the remainder had necessarily to be built of timber. This portion had an internal section of 8-1/3 feet by 8½ feet, and was constructed of tongued and grooved, machine-planed, deodar planking 2¾ inches thick, supported on cross frames 3½ feet apart.
On emerging from the flume the water enters the brick-lined tank or reservoir called the forebay, where it settles for a moment before descending the great iron pipe which conducts it on to the machinery in the power-house below. In this forebay there are, of course, sluice gates to regulate the flow, and shut it off altogether at one or all the pipes. And there is also a spill channel for the water to flow away to waste when it is not wanted.
Then four hundred feet below we come to the power-house, with all the most modern electrical plant transported from America, and much of it from the farthest western coast of America, across the Atlantic and the Indian Oceans, right across India, and then for 150 miles by road over a range 6000 feet high. The water-power made available by the flume is capable of generating 20,000 horse-power; but as that amount of power is not at present required, electrical machinery to develop not more than 5000 h.-p. has as yet been put in, though space and all arrangements have been provided in the power-house for machinery to develop 15,000 h.-p. more whenever that is required. The machinery is by the General Electric Co. of New York, and the generators supplied are of the three-phase 25-cycle type. The water-wheels upon which the water from the forebay, led down the pipes and contracted through a nozzle, impinges with such tremendous velocity that a hatchet could not cut the spout, are made of specially toughened steel, and are so cunningly designed that the utmost effect is obtained from the fall of the water, and that immediately the water has done its work it is allowed to pass away at once through a waste channel back again into the river without further impeding the machinery. These wheels were supplied by Abner Doble of San Francisco. They are sent revolving with immense rapidity—five hundred revolutions per minute, or eight every second—and they cause to revolve the electrical generators which are placed on the same axis, and thereby electric energy is generated. By a series of very ingenious machines this electric energy is regulated and conducted to the transmission wires which are at present carried through Baramula to Srinagar, and which will transmit the power at the extremely high voltage of 60,000 volts from the generating station to the spot where the power is required.
The construction operations were under charge of Mr. A.C. Jewett, a citizen of California and a former employee of General Electric. He later went on to be the chief engineer for the Amir of Afghanistan in a water-power project near Kabul. [ 'Special Consular Reports. Vol. 72, 1915]

Flumes running along the hills
The plant was commissioned in 1905 and fully operation by 1907

The water from Jhelum was diverted about 8 miles higher up into a canal, running partly on the surface but mostly in a wooden tube or flume, 8 feet square, which ran along hillside.

Saturday, July 18, 2015

Tales of Kashmiri Boatmen

video link

An interview with Azim Tuman, former chairman of Kashmir Houseboat Owners Association (KHBOA). Recorded by me back in 2014

Watch for oral history of boats, houseboats and tourism in Kashmir. Of particular interest are the bits about evolution on houseboat, the way river transport worked, the major transaction points along the river, the role of a Pandit entrepreneur in the houseboat business around a century ago, the negative impact of 1947-48 war on tourism, how tourism revived in 60s and again in 1990s and the present concerns of the boatmen community.

Related Posts with Thumbnails

Content protected by

Creative Commons License
This work is licensed under a Creative Commons Attribution-Share Alike 3.0 Unported License. Which it basically means is: You are free to share anything you may find here. No need to seek permission explicitly. Also you are free to re-use it for non-commercial purposes provided you let others use your work for free non-commercial purposes. This blog was started with the intention of sharing information for free. But, in case of commercial use, do seek a permission first. In all cases, giving proper credit to the blog/source is the proper decent thing to do, let other people know where you found it. Do not stifle information.


10th century (1) 12th century (1) 15th century (1) 1760 (1) 1770 (1) 1821 (1) 1823 (1) 1835 (1) 1840 (1) 1851 (1) 1854 (3) 1858 (1) 1859 (2) 1862 (1) 1864 (2) 1866 (1) 1868 (2) 1870 (2) 1874 (2) 1875 (1) 1877 (4) 1879 (1) 1881 (3) 1882 (1) 1883 (1) 1884 (1) 1885 (1) 1888 (1) 1890 (1) 1891 (2) 1892 (1) 1893 (1) 1895 (6) 1897 (1) 19 January (2) 1900 (2) 1901 (1) 1902 (2) 1903 (5) 1904 (2) 1905 (1) 1906 (5) 1907 (4) 1908 (4) 1909 (2) 1910 (1) 1911 (2) 1912 (2) 1913 (2) 1914 (1) 1915 (6) 1916 (2) 1917 (2) 1918 (1) 1919 (1) 1920 (10) 1920s (10) 1921 (1) 1922 (3) 1923 (1) 1925 (2) 1926 (4) 1927 (2) 1928 (1) 1929 (2) 1930s (4) 1931 (2) 1933 (1) 1934 (3) 1935 (2) 1938 (1) 1939 (1) 1940 (1) 1940s (3) 1944 (4) 1945 (2) 1946 (4) 1947 (13) 1948 (12) 1950s (8) 1951 (2) 1952 (3) 1953 (2) 1954 (1) 1955 (2) 1956 (5) 1957 (8) 1958 (3) 1959 (1) 1960 (2) 1960s (6) 1961 (1) 1962 (1) 1963 (1) 1964 (1) 1965 (1) 1967 (1) 1969 (5) 1971 (1) 1973 (1) 1975 (1) 1976 (1) 1977 (1) 1978 (2) 1979 (1) 1980 (1) 1980s (3) 1981 (1) 1982 (1) 1983 (4) 1987 (1) 1988 (1) 1989 (4) 1990 (15) 1992 (1) 2010 (1) 2014 (11) 21 January (1) 26 January (1) 70s (1) 7th century (1) 90s (1) 9th century (1) A Kashmiri Tourist in Kashmir (61) abhinavgupta (1) afghan (3) aishmukam (1) Akhnoor (1) Ali Kadal (3) all Kashmiris (1) amarnath (4) Amira Kadal (2) ancient (12) angrez (66) angry (2) animals (1) anomalous dreams (53) archeology (2) architecture (18) art (39) astronomy (1) autumn (2) avantipur (4) azad (2) baazigar (3) bagh-i-sundar balla Chattabal (15) Bakarwal (1) bakers (1) Balti (1) Banihal (1) baramulla (5) bekal kalaam (26) Bhaderwah (2) Bhand Pather (7) birds (2) Biscoe School (10) bits and pieces (86) boatmen (6) bookmarks (1) books (65) bot (3) bridges/kadal (16) british raj (1) Bu'nyul (2) buddhism (4) budshah (6) bulbul (1) bund (2) Burzahom (1) census (1) chanapora (1) change log (3) chapyin khor (2) cheen (3) Chenab (4) children (3) children's books (5) Chinar (7) Cinema Hall (3) collectible (10) comedy (5) comic (7) communists (2) confused art (5) confused ethnicity (2) confused geography (6) confused history (4) confused language (1) confused names (2) confused people (1) confused religion (2) copy for tourist brochure (12) culture (8) dal (4) Dal Lake (17) dance (17) darbarmov (1) days (2) death (1) dilli (2) discovery (1) doon (3) downtown (2) drama (1) dress (8) duggar (1) environment (1) erotica (4) fakir (3) family albums (7) family histories (13) farmer (2) farsi (20) fashinas'foo't (2) Fateh Kadal (3) feast (2) festival (3) first war (6) flowers (1) folkdance (1) folksongs (6) folktales (7) food (57) forts (1) free books (27) fruits (1) funny (19) Gabba (2) gad (5) game (6) Ganpatyar (2) Garden (27) ghat (2) Ghost Stories (7) Gilgit (1) glass (1) Good man the Laltain (1) graffiti (2) guest posts (103) guide book (5) gujjar (1) Gulmarg (19) Haar (2) habba kadal (11) Habba Khatoon (6) haenz (4) hakh (1) Harwan (4) hazratbal (7) Henri Cartier-Bresson (1) herat (4) hindustaan (21) hindustaantiPaekistaan (6) History (104) hoho (2) hoon (2) house (18) houseboat (13) Hunza (1) hypertextuality (5) hyundTiMusalmaan (11) id (1) idols (1) illustrations (28) immigrant tales (18) in Kashmir (19) index (1) inscriptions (1) iran (3) Ishber (2) Jammu (70) jeeliDal (5) jesus (1) jewiz (1) jhelum (12) kabalis (2) kafirs (1) kakaz (2) kalheer (1) Kali Mandar (1) kandur (14) kangir (8) Karan Nagar (1) karewa (1) kargil (2) karr'e (2) kashmir in summer (2) Kashmiri Beauty (28) Kashmirispotting (15) kashmirstrotram (1) kaula charsi (1) Kausar Nag (1) Kaw (3) khandar (3) Kharyaar (3) Khilanmarg (1) khos (1) khrew (1) kirkyet (1) Kishtwar (2) kitchen (1) kong posh (1) Kongdoor (1) kotar (1) kral (1) kralkhod (3) kul (1) Ladakh (14) lafaz (1) Lake (4) Lal Chowk (4) Lal Ded (16) land (1) language (41) leelas (1) letters (1) liddarwat (1) list (2) location (1) love (5) lyek (5) lyrics (32) maaz (1) madin sahib (2) Mahjoor (5) Mahmud Gami (5) mahrin (1) manasbal (1) mapping Rajatarangini (1) Maps (33) marriage (18) martand (8) mas (1) masjid (2) me'chu'na'koshur'tagaan (3) mekhal (1) metaphysical star wars (12) migrant (7) Militia (1) missionaries (7) Mix Bag (8) Mohra (1) money (2) Morning (1) mosque (1) mountains (5) mughals (15) museum (2) Music (48) naag (3) naav (1) Nadim (4) nadru (2) naga (2) nagin (5) nalla-e-mar (1) namaaz (1) Namda (1) nautch (9) news (5) newsreel (1) NH1-A (13) nohor (3) nostalgia (3) notes on Shalimar the Clown (4) numbers (2) Nund Ryosh (7) odd (21) old hotels (2) oral bits (13) ornament (8) pahalgam (1) paintings (50) Pakistan (2) pampore (2) pandit affairs (4) pandits (52) Pandrethan (1) panjyeb (1) parbat (10) Pari Mahal (1) parsi (2) partition (1) pattan (1) pawer'cha (1) persons (3) phaka (2) pheran (1) philim (44) photo (117) pir panjal (3) poem (25) poonch (1) posh (1) posha (1) postal (2) postcards (19) Prem Nath Bazaz (1) prePaekistaan (2) project (7) proverbs (6) puj waan (2) qazigund (1) questions (1) radio (1) Rajatarangini (11) Rajouri (2) ramayan (1) rare articles (1) rare out-of-print (6) rasul mir (1) read (5) recording (1) reenactment (8) religion (18) remembrance (3) reshi (1) Residency Road (1) retracing (1) riddle (1) riddles (3) rituals (2) river-life (8) rivers (8) roos (3) rop bhavani (1) ruins (5) sacred spaces (1) saints (4) salesmanship (1) samawar (1) sangam (1) sanskrit (5) saqi (1) saruf (1) School (9) sculpture (2) See (3) Shadipur (2) shafa (3) Shah Hamadan (1) Shalimar Bagh (7) Shankracharya (3) sharda (2) shaveratri (2) shawl (7) shikara (1) shikari (1) shiraz (1) shiv (5) shivratri (4) Shorab (2) shrine (4) sikhsardar (1) snakes (5) snow (6) Sonamarg (2) songs (12) songsforexile (3) sound (2) spring (1) srinagar (11) stamps (2) stones (1) Strange Tales from Tulamula (4) Su (1) swim (5) sylab nama (10) t'song (1) tailor (2) talav (1) talk (6) tanga (1) tcharpoke (1) tchoor hasa hey (2) tea (7) temples (25) then-now (8) they write (1) things that crossed over (11) thingsthatremindmeofkashmir (11) tibet (4) tradition (7) travel routes (1) travellers in time (2) trees (1) trekking (1) tulmul/khir bhawani (20) tv tyeth (1) udhampur (1) undated (1) Uri (3) vakh (1) valley (1) varmul (1) verses (8) village (1) Vintage (37) Vintage audio (2) vintage magazines (2) Vintage photos (152) vintage video (13) walnut wood (1) wasteland (1) weavers (3) window (3) winter (8) wodwin janawar (2) wolar (3) women (7) words for paradise (10) Workmanship (33) ya ali (1) ya-khoda-ti-bhagwaan (1) yaarbal (1) yach (1) Yarbal (1) you tube (21) zaar (2) zabarwan (1) zafur (2) Zaina Kadal (5) Zeethyaar (4) zenana (1) zoon (2) zor-e-talwarTiBandook (2) zu (2)